The overtimely death of Jimmy Savile came as shock to
anyone beyond the age of thirty-five this week. Shocked not so much by the
actual death, but by the fact that he hadn’t died ages ago, and then wearily slipped
out of our collective consciousness and onto the graying mists of
forgetfulness, in much the same way as Jill Dando, the dead one from Westlife*,
and Jesus.
Jimmy Savile is famous, of course, for selflessly bringing
the dreams of literally tens of children true, providing those dreams meant
meeting a celebrity generous or desperate enough to appear on Big Jim’s seminal
show Jim’ll Fix It. And by seminal, I
do, of course, mean it was big bag of funky smelling semen. Metaphorically
speaking, of course. The kids were generally anodyne but grateful, and the
celebs were dull, dull, dull.
It did also help if said kid had some ailment or
disability. It was, essentially, a Sunday
Tea Time Freak Show, masquerading as Clean Family Fun.
It was, like many programmes from my childhood, dreadful
shite which was watchable in the same way that you watch those TV screens in
larger Post Offices telling you about the wonders of Post Office Insurance, and
Post Office Doggy Treats, and Postland, Postland Uber Alles. You watch it,
because you’re there, and it’s on. You
watched Uncle Jim with the kiddies on his knees because it was raining outside,
The Love Boat had finished on ITV, and there were no other channels. Except
BBC2, which was never a viable option for a child. There be’d monsters.
I suspect the same principle of Its This Or Nothing Except
Maybe Your Homework Or Talking To Your Family which was behind the televisual success
of other much-feted but ultimately really quite duff stalwarts of the small
screen such as Blue Peter, John Craven’s
Newsround and Jackanory**. Why Don’t You was really pretty shit
too, once the theme music was over, and Playschool
was always ruined by the midway visit to a milk-bottling factory, in which a
grumpy little man with a tache and bushy eyebrows would be filmed watching milk
getting bottled and looking nervous, as if he knew that as soon as the cameras
stopped rolling, he would be ritually and violently sacrificed to appease the
gods of the BBC.
And Tiswas. God, I
hated Tiswas.
I know this is controversial, but I don’t care who thinks
Tiswas was good. It wasn’t. It was hot shit on a stick. It was like spending
Saturday morning with the ADHD kid who was ruining your education during the
week by dicking around at school like an underfed whirling dervish on Crystal
Meth. If Tiswas was a child, it would be snotty, skinny and mercilessly beaten
at playtime twice weekly. Tiswas: a
bullied child in TV form.
I preferred Swap Shop,
although admitting this has always been
social suicide, especially at those parties in your late teens when you realise
your childhood is over and everyone starts reminiscing about the TV We Watched When
We Were Kids***.
Admitting to preferring Swap Shop to Tiswas was tantamount to proudly admitting to being a Young Conserative
and wearing your hair in a side-parting. It was very much not cool. But sometimes,
the truth is not cool. Sometimes one must sacrifice being accepted by the herd
in exchange for personal integrity.
Having said that, Swap Shop was also shit. Just not as
shit as Tiswas.
And don’t even get me started on No.73.
I’m off to watch episodes of Dogtanian on Youtube and remind myself, that lurking in every black
sky of cloudy evil there is a slither of a silver lining. It might be the shiny
glint of a pointy knife in the back of childhood memories, but it’s there.
I hope it’s as good as a I remember.
P.S Dear Mr ‘Fix-It’.
I asked to meet Adam Ant. You never replied. You fucker.
*Or was it Boyzone?
**Except the one with Rik Mayall.
***This would invariably involve discussing The
Magic Roundabout characters as drug types, sexual innuendo in Rainbow, and lies
about Captain Pugwash.
I agree with you completely about Tiswas. I wasn't a fan of Swap Shop either, or Going Live, Superstore or Number 73, but Tiswas was, as you say, hot shit on a stick. All the most obnoxious kids at my schools seemed to like it, even droning on and on about it years after it had finished, as if it was the greatest thing ever.
ReplyDeleteJust horrible, reductive, noisy stuff, with two-dimensional performers and presenters of very limited skill screaming and throwing custard pies and buckets of water around like drunken rugby club members. It wasn't 'anarchic' or 'rock and roll', it was awful. Even the 'best of' compilation videos are a chore to get through.